Apostrophe (figure of speech)
Figure of speech used in theatre
Apostrophe (Greek ἀποστροφή, apostrophé, "turning away"; the final e being sounded)[1] is an exclamatory figure of speech.[2] It occurs when a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes absent from the scene. Often the addressee is a personified abstract quality or inanimate object.[3][4] In dramatic works and poetry written in or translated into English, such a figure of speech is often introduced by the vocative exclamation, "O". Poets may apostrophize a beloved, the Muses, God or gods, love, time, or any other entity that can't respond in reality.
Examples
- "O death, where is thy sting? O grave, where is thy victory?" 1 Corinthians 15:55, Paul the Apostle
- "O, pardon me, thou bleeding piece of earth, / That I am meek and gentle with these butchers! / Thou art the ruins of the noblest man / That ever lived in the tide of times." William Shakespeare, Julius Caesar, act 3, scene 1
- "O happy dagger! This is thy sheath; there rest, and let me die." Romeo and Juliet, act 5, scene 3, 169–170.
- "To what green altar, O mysterious priest, / Lead'st thou that heifer lowing at the skies, / And all her silken flanks with garlands drest?" John Keats, "Ode on a Grecian Urn"
- "O eloquent, just, and mighty Death!" Sir Walter Raleigh, A Historie of the World
- "Thou hast the keys of Paradise, oh just, subtle, and mighty opium!" Thomas De Quincey, Confessions of an English Opium-Eater
- "Roll on, thou dark and deep blue Ocean – roll!" Lord Byron, Childe Harold's Pilgrimage
- "Thou glorious sun!" Samuel Taylor Coleridge, "This Lime Tree Bower"[5]
- "Death, be not proud, though some have called thee / Mighty and dreadful, for thou art not so." John Donne, "Holy Sonnet X"
- "And you, Eumaeus..." Homer, the Odyssey 14.55, κτλ.
- "O My friends, there is no friend." Montaigne, originally attributed to Aristotle[6]
- "O black night, nurse of the golden eyes!" Electra in Euripides' Electra (c. 410 BC, line 54), in the translation by David Kovacs (1998).
- "Then come, sweet death, and rid me of this grief." Queen Isabel in Edward II by Christopher Marlowe
See also
References
- ^ "apostrophe". Dictionary.com Unabridged (Online). n.d. Retrieved 2017-01-12.
- ^ "Apostrophe" . Encyclopædia Britannica. Vol. 2 (11th ed.). 1911. p. 205.
- ^ Hays, J. Daniel; Duvall, J. Scott (1 September 2011). The Baker Illustrated Bible Handbook (Text Only ed.). Baker Books. p. 891. ISBN 978-1-4412-3785-9.
- ^ Ford, Margaret L. (1984). Techniques of Good Writing. Irwin Pub. p. 27. ISBN 978-0-7725-5001-9. Retrieved 8 August 2013.
- ^ Greenblatt, Stephen (2006). The Norton Anthology of English Literature. Vol. D (8 ed.). New York: Norton. p. 429.
- ^ "Politics of friendship. (Cover Story)". American Imago. September 22, 1993.
- v
- t
- e
- Ab ovo
- Action
- Backstory
- Chekhov's gun
- Cliché
- Cliffhanger
- Conflict
- Deus ex machina
- Dialogue
- Dramatic structure
- Eucatastrophe
- Foreshadowing
- Flashback
- Flashforward
- Frame story
- In medias res
- Kishōtenketsu
- MacGuffin
- Pace
- Plot device
- Plot twist
- Poetic justice
- Red herring
- Reveal
- Self-insertion
- Shaggy dog story
- Stereotype
- Story arc
- Story within a story
- Subplot
- Suspense
- Trope
- Alternate history
- Backstory
- Crossover
- Dreamworld
- Dystopia
- Fictional location
- Utopia
- Worldbuilding
- Allegory
- Bathos
- Comic relief
- Diction
- Figure of speech
- Imagery
- Mode
- Mood
- Narration
- Narrative techniques
- Show, don't tell
- Stylistic device
- Suspension of disbelief
- Symbolism
- Tone
- Act
- Freytag's Pyramid
- Exposition/Protasis
- Rising action/Epitasis
- Climax/Peripeteia
- Falling action/Catastasis
- Denouement/Catastrophe
- Linear narrative
- Nonlinear narrative
- Premise
- Types of fiction with multiple endings
(List)
- Autobiography
- Biography
- Fiction
- Nonfiction
- Dominant narrative
- Fiction writing
- Continuity
- Canon
- Reboot
- Retcon
- Parallel novel
- Prequel / Sequel
- Continuity
- Genre
- Literary science
- Literary theory
- Narrative identity
- Narrative paradigm
- Narrative therapy
- Narratology
- Political narrative
- Rhetoric
- Screenwriting
- Storytelling
- Tellability
- Verisimilitude