Handel's Naturalisation Act 1727
Act of Parliament | |
Long title | An Act for naturalizing Louis Sechehaye, George Frideric Handel, Anthony Furstenau and Michael Schlegel. |
---|---|
Citation | 13 Geo. 1. c. 2 |
Dates | |
Royal assent | 20 February 1727 |
An Act for naturalizing Louis Sechehaye, George Frideric Handel, Anthony Furstenau and Michael Schlegel (13 Geo. 1. c. 2), later given the short title of Handel's Naturalisation Act 1727,[1] was a 1727 Act of the Parliament of Great Britain with the intent of naturalising German-born composer George Frideric Handel and other foreigners as British subjects.
Background
In 1723, Handel had been appointed as Composer of Music for King George I of Great Britain's Chapel Royal. He was also expected to teach the princesses of the Royal Family; however, the Schism Act 1714 prohibited foreigners from officially teaching without a licence from a bishop, though there was an exemption in the law for educating children of nobility.[2]
Process
On 13 February 1727, a petition was presented to the House of Lords to grant Handel the status of a British subject as this was the only method by which this could be achieved. The petition was referred to a Lords committee.[3] In order for the petition to be valid before it could be considered, Handel was obliged to provide evidence that he had taken the Oath of Supremacy and the Oath of Allegiance as well as entering into communion with the Church of England.[2] The petition was accepted and brought before Parliament as a private bill and added to a bill for naturalising Louis Sechehaye and others.[4] Prior to Second Reading, Handel took the oaths in the presence of the House of Lords.[5] The certificate that he had accepted communion with the Church of England was also presented,[3] though it was suggested that Handel accepted just to conform with the law and maintained elements of his Lutheranism while praising the Church of England for affording him protection under which he would not "suffer any molestation or inconvenience on account of his religious principles."[6] The bill was passed by Parliament and was granted royal assent by the King a few days later,[3] at which point Handel and the others became subjects of the Kingdom of Great Britain.
References
- ^ "Private Act, 13 George I, c. 2 [Handel's Naturalisation Act]". Parliamentary Archives Catalogue. Archived from the original on 1 March 2019. Retrieved 12 November 2020.
- ^ a b Hunter, David (2015). The Lives of George Frideric Handel. Boydell & Brewer. p. 177. ISBN 978-1783270613.
- ^ a b c "British Citizen by Act of Parliament: George Frideric Handel". Parliament. 14 April 2009. Archived from the original on 13 November 2020. Retrieved 12 November 2020.
- ^ Hansard (1726), 36
- ^ Hansard (1726), 37
- ^ Van Til, Marian (2007). George Frideric Handel: A Music Lover's Guide to His Life, His Faith & the Development of Messiah and His Other Oratorios. WordPower Publishing. p. 137. ISBN 978-0979478505.
Sources
- Hansard (1726). "13 Geo". Journal of the House of Lords. Vol. 23. H.M. Stationery Office.
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- Handel's lost Hamburg operas (Florindo, Daphne)
- Almira
- Rodrigo
- Agrippina
- Rinaldo
- Il pastor fido
- Teseo
- Silla
- Amadigi di Gaula
- Acis and Galatea
- Radamisto
- Muzio Scevola
- Floridante
- Ottone
- Flavio
- Giulio Cesare
- Tamerlano
- Rodelinda
- Scipione
- Alessandro
- Admeto
- Riccardo Primo
- Siroe
- Tolomeo
- Lotario (Handel)
- Partenope
- Poro
- Ezio
- Sosarme
- Catone
- Orlando
- Arianna in Creta
- Parnasso in festa
- Oreste
- Ariodante
- Alcina
- Atalanta
- Arminio
- Giustino
- Berenice
- Faramondo
- Alessandro Severo
- Serse
- Giove in Argo
- Imeneo
- Deidamia
- The Alchemist
- Comus
- Alceste
- Il trionfo del Tempo e del Disinganno / Il trionfo del Tempo e della Verità / The Triumph of Time and Truth
- La resurrezione
- Brockes Passion
- Esther
- Deborah
- Athalia
- Saul
- Israel in Egypt
- L'Allegro, il Penseroso ed il Moderato
- Messiah
- Structure
- Part I
- Part II
- Part III
- Der Messias (Mozart arr.)
- Scratch Messiah
- Samson
- Semele
- Joseph and his Brethren
- Hercules
- Belshazzar
- Occasional Oratorio
- Judas Maccabaeus
- Joshua
- Alexander Balus
- Susanna
- Solomon
- Theodora
- The Choice of Hercules
- Jephtha
- Aci, Galatea e Polifemo
- Ode for the Birthday of Queen Anne
- Alexander's Feast
- Ode For St. Cecilia's Day
- Agrippina condotta a morire or Dunque sarà pur vero
- Allor ch'io dissi addio
- Aure soavi e lieti
- Clori, Tirsi e Fileno
- Dalla guerra amorosa
- Del bell'idolo mio
- Apollo e Dafne
- O lucenti, o sereni occhi
- Ero e Leandro
- Tra le fiamme (Il consiglio)
- Un'alma innamorata
- Dixit Dominus
- Gloria
- Nisi Dominus
- Salve Regina
- As Pants the Hart
- Zadok the Priest
- Funeral Anthem for Queen Caroline
- Sing Unto God
- Chandos Anthems
- Wedding anthem for Princess Anne
- Foundling Hospital Anthem
- Oboe Concerto No. 3
- Oboe Concerto No. 1
- Oboe Concerto No. 2
- 358
- "Fitzwilliam"
- 359a
- 359b
- 360
- 361
- 362
- 363a
- 363b
- 364a
- 364b
- 365
- 366
- 367a
- 367b
- 368
- 369
- 370
- 371
- 372
- 373
- 374
- 375
- 376
- 378
- 379
- Organ concertos, Op. 4
- Organ concertos, Op. 7
- Concerti grossi, Op. 3
- Concerti grossi, Op. 6
- Germanico
- Nabal
- Gideon
- The Harmonious Blacksmith
- Keyboard suite in D minor (HWV 437)
- Category
- Commons
- Audio